giovedì 13 febbraio 2014

The golden key

In the winter time, when deep snow lay on the ground, a poor boy was forced to go out on a sledge to fetch wood. When he had gathered it together, and packed it, he wished, as he was so frozen with cold, not to go home at once, but to light a fire and warm himself a little. So he scraped away the snow, and as he was thus clearing the ground, he found a tiny, gold key. Hereupon he thought that where the key was, the lock must be also, and dug in the ground and found an iron chest. If the key does but fit it! thought he, no doubt there are precious things in that little box. He searched, but no keyhole was there. At last he discovered one, but so small that it was hardly visible. He tried it, and the key fitted it exactly. Then he turned it once round, and now we must wait until he has quite unlocked it and opened the lid, and then we shall learn what wonderful things were lying in that box.


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The nail

A merchant had done good business at the fair; he had sold his wares, and lined his money-bags with gold and silver. Then he wanted to travel homewards, and be in his own house before nightfall. So he packed his trunk with the money on his horse, and rode away.
At noon he rested in a town, and when he wanted to go farther the stable-boy brought out his horse and said, "A nail is wanting, sir, in the shoe of its left hind foot." - "Let it be wanting," answered the merchant; "the shoe will certainly stay on for the six miles I have still to go. I am in a hurry."

In the afternoon, when he once more alighted and had his horse fed, the stable-boy went into the room to him and said, "Sir, a shoe is missing from your horse's left hind foot. Shall I take him to the blacksmith?" - "Let it still be wanting," answered the man; "the horse can very well hold out for the couple of miles which remain. I am in haste."

He rode forth, but before long the horse began to limp. It had not limped long before it began to stumble, and it had not stumbled long before it fell down and broke its leg. The merchant was forced to leave the horse where it was, and unbuckle the trunk, take it on his back, and go home on foot. And there he did not arrive until quite late at night. "And that unlucky nail," said he to himself, "has caused all this disaster."

Hasten slowly.


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The old beggar-woman

There was once an old woman, but thou hast surely seen an old woman go a-begging before now? This woman begged likewise, and when she got anything she said, "May God reward you." The beggar- woman came to a door, and there by the fire a friendly rogue of a boy was standing warming himself. The boy said kindly to the poor old woman as she was standing shivering thus by the door, "Come, old mother, and warm yourself." She came in, but stood too near the fire, so that her old rags began to burn, and she was not aware of it. The boy stood and saw that, but he ought to have put the flames out. Is it not true that he ought to have put them out? And if he had not any water, then should he have wept all the water in his body out of his eyes, and that would have supplied two pretty streams with which to extinguish them.


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The beam

There was once an enchanter who was standing in the midst of a great crowd of people performing his wonders. He had a cock brought in, which lifted a heavy beam and carried it as if it were as light as a feather. But a girl was present who had just found a bit of four-leaved clover, and had thus become so wise that no deception could stand out against her, and she saw that the beam was nothing but a straw. So she cried, "You people, do you not see that it is a straw that the cock is carrying, and no beam?" Immediately the enchantment vanished, and the people saw what it was, and drove the magician away in shame and disgrace. He, however, full of inward anger, said, "I will soon revenge myself?"
After some time the girl's wedding-day came, and she was decked out, and went in a great procession over the fields to the place where the church was. All at once she came to a stream which was very much swollen, and there was no bridge and no plank to cross it. Then the bride nimbly took her clothes up, and wanted to wade through it. And just as she was thus standing in the water, a man, and it was the enchanter, cried mockingly close beside her, "Aha! Where are thine eyes that thou takest that for water?" Then her eyes were opened, and she saw that she was standing with her clothes lifted up in the middle of a field that was blue with the flowers of blue flax. Then all the people saw it likewise, and chased her away with ridicule and laughter.


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The old man made young again

In the time when our Lord still walked this earth, he and St. Peter stopped one evening at a smith's and received free quarters. Then it came to pass that a poor beggar, hardly pressed by age and infirmity, came to this house and begged alms of the smith. St. Peter had compassion on him and said, "Lord and master, if it please thee, cure his torments that he may be able to win his own bread." The Lord said kindly, "Smith, lend me thy forge, and put on some coals for me, and then I will make this ailing old man young again." The smith was quite willing, and St. Peter blew the bellows, and when the coal fire sparkled up large and high our Lord took the little old man, pushed him in the forge in the midst of the red-hot fire, so that he glowed like a rose-bush, and praised God with a loud voice. After that the Lord went to the quenching tub, put the glowing little man into it so that the water closed over him, and after he had carefully cooled him, gave him his blessing, when behold the little man sprang nimbly out, looking fresh, straight, healthy, and as if he were but twenty. The smith, who had watched everything closely and attentively, invited them all to supper. He, however, had an old half-blind crooked, mother-in-law who went to the youth, and with great earnestness asked if the fire had burnt him much. He answered that he had never felt more comfortable, and that he had sat in the red heat as if he had been in cool dew. The youth's words echoed in the ears of the old woman all night long, and early next morning, when the Lord had gone on his way again and had heartily thanked the smith, the latter thought he might make his old mother-in-law young again likewise, as he had watched everything so carefully, and it lay in the province of his trade. So he called to ask her if she, too, would like to go bounding about like a girl of eighteen. She said, "With all my heart, as the youth has come out of it so well." So the smith made a great fire, and thrust the old woman into it, and she writhed about this way and that, and uttered terrible cries of murder. "Sit still; why art thou screaming and jumping about so?" cried he, and as he spoke he blew the bellows again until all her rags were burnt. The old woman cried without ceasing, and the smith thought to himself, "I have not quite the right art," and took her out and threw her into the cooling-tub. Then she screamed so loudly that the smith's wife upstairs and her daughter-in-law heard, and they both ran downstairs, and saw the old woman lying in a heap in the quenching-tub, howling and screaming, with her face wrinkled and shrivelled and all out of shape. Thereupon the two, who were both with child, were so terrified that that very night two boys were born who were not made like men but apes, and they ran into the woods, and from them sprang the race of apes.


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The turnip

There were once two brothers who both served as soldiers; one of them was rich, and the other poor. Then the poor one, to escape from his poverty, put off his soldier's coat, and turned farmer. He dug and hoed his bit of land, and sowed it with turnip-seed. The seed came up, and one turnip grew there which became large and vigorous, and visibly grew bigger and bigger, and seemed as if it would never stop growing, so that it might have been called the princess of turnips, for never was such an one seen before, and never will such an one be seen again.
At length it was so enormous that by itself it filled a whole cart, and two oxen were required to draw it, and the farmer had not the least idea what he was to do with the turnip, or whether it would be a fortune to him or a misfortune. At last he thought, "If thou sellest it, what wilt thou get for it that is of any importance, and if thou eatest it thyself, why, the small turnips would do thee just as much good; it would be better to take it to the King, and make him a present of it."

So he placed it on a cart, harnessed two oxen, took it to the palace, and presented it to the King. "What strange thing is this?" said the King. "Many wonderful things have come before my eyes, but never such a monster as this! From what seed can this have sprung, or are you a luck-child and have met with it by chance?" - "Ah, no!" said the farmer, "no luck-child am I. I am a poor soldier, who because he could no longer support himself hung his soldier's coat on a nail and took to farming land. I have a brother who is rich and well known to you, Lord King, but I, because I have nothing, am forgotten by every one."

Then the King felt compassion for him, and said, "Thou shalt be raised from thy poverty, and shalt have such gifts from me that thou shalt be equal to thy rich brother." Then he bestowed on him much gold, and lands, and meadows, and herds, and made him immensely rich, so that the wealth of the other brother could not be compared with his. When the rich brother heard what the poor one had gained for himself with one single turnip, he envied him, and thought in every way how he also could get hold of a similar piece of luck. He would, however, set about it in a much wiser way, and took gold and horses and carried them to the King, and made certain the King would give him a much larger present in return. If his brother had got so much for one turnip, what would he not carry away with him in return for such beautiful things as these? The King accepted his present, and said he had nothing to give him in return that was more rare and excellent than the great turnip. So the rich man was obliged to put his brother's turnip in a cart and have it taken to his home. When there he did not know on whom to vent his rage and anger, until bad thoughts came to him, and he resolved to kill his brother. He hired murderers, who were to lie in ambush, and then he went to his brother and said, "Dear brother, I know of a hidden treasure, we will dig it up together, and divide it between us." The other agreed to this, and accompanied him without suspicion. While they were on their way, however, the murderers fell on him, bound him, and would have hanged him to a tree. But just as they were doing this, loud singing and the sound of a horse's feet were heard in the distance. On this their hearts were filled with terror, and they pushed their prisoner head first into the sack, hung it on a branch, and took to flight. He, however, worked up there until he had made a hole in the sack through which he could put his head. The man who was coming by was no other than a travelling student, a young fellow who rode on his way through the wood joyously singing his song. When he who was aloft saw that someone was passing below him, he cried, "Good day! You have come at a lucky time." The student looked round on every side, but did not know whence the voice came. At last he said, "Who calls me?" Then an answer came from the top of the tree, "Raise your eyes; here I sit aloft in the Sack of Wisdom. In a short time have I learnt great things; compared with this all schools are a jest; in a very short time I shall have learnt everything, and shall descend wiser than all other men. I understand the stars, and the signs of the Zodiac, and the tracks of the winds, the sand of the sea, the healing of illness, and the virtues of all herbs, birds, and stones. If you were once within it you would feel what noble things issue forth from the Sack of Knowledge."

The student, when he heard all this, was astonished, and said, "Blessed be the hour in which I have found thee! May not I also enter the sack for a while?" He who was above replied as if unwillingly, "For a short time I will let you get into it, if you reward me and give me good words; but you must wait an hour longer, for one thing remains which I must learn before I do it." When the student had waited a while he became impatient, and begged to be allowed to get in at once, his thirst for knowledge was so very great. So he who was above pretended at last to yield, and said, "In order that I may come forth from the house of knowledge you must let it down by the rope, and then you shall enter it." So the student let the sack down, untied it, and set him free, and then cried, "Now draw me up at once," and was about to get into the sack. "Halt!" said the other, "that won't do," and took him by the head and put him upside down into the sack, fastened it, and drew the disciple of wisdom up the tree by the rope. Then he swung him in the air and said, "How goes it with thee, my dear fellow? Behold, already thou feelest wisdom coming, and art gaining valuable experience. Keep perfectly quiet until thou becomest wiser." Thereupon he mounted the student's horse and rode away, but in an hour's time sent some one to let the student out again.



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http://www.grimmstories.com/en/grimm_fairy-tales/the_turnip

Clever Grethel

There was once a cook named Grethel, who wore shoes with red rosettes, and when she walked out with them on, she turned herself this way and that, and thought, "You certainly are a pretty girl!" And when she came home she drank, in her gladness of heart, a draught of wine, and as wine excites a desire to eat, she tasted the best of whatever she was cooking until she was satisfied, and said, "The cook must know what the food is like."

It came to pass that the master one day said to her, "Grethel, there is a guest coming this evening; prepare me two fowls very daintily." - "I will see to it, master," answered Grethel. She killed two fowls, scalded them, plucked them, put them on the spit, and towards evening set them before the fire, that they might roast. The fowls began to turn brown, and were nearly ready, but the guest had not yet arrived. Then Grethel called out to her master, "If the guest does not come, I must take the fowls away from the fire, but it will be a sin and a shame if they are not eaten directly, when they are juiciest." The master said, "I will run myself, and fetch the guest." When the master had turned his back, Grethel laid the spit with the fowls on one side, and thought, "Standing so long by the fire there, makes one hot and thirsty; who knows when they will come? Meanwhile, I will run into the cellar, and take a drink." She ran down, set a jug, said, "God bless it to thy use, Grethel," and took a good drink, and took yet another hearty draught.



Then she went and put the fowls down again to the fire, basted them, and drove the spit merrily round. But as the roast meat smelt so good, Grethel thought, "Something might be wrong, it ought to be tasted!" She touched it with her finger, and said, "Ah! how good fowls are! It certainly is a sin and a shame that they are not eaten directly!" She ran to the window, to see if the master was not coming with his guest, but she saw no one, and went back to the fowls and thought, "One of the wings is burning! I had better take it off and eat it." So she cut it off, ate it, and enjoyed it, and when she had done, she thought, "the other must go down too, or else master will observe that something is missing." When the two wings were eaten, she went and looked for her master, and did not see him. It suddenly occurred to her, "Who knows? They are perhaps not coming at all, and have turned in somewhere." Then she said, "Hallo, Grethel, enjoy yourself, one fowl has been cut into, take another drink, and eat it up entirely; when it is eaten you will have some peace, why should God's good gifts be spoilt?" So she ran into the cellar again, took an enormous drink and ate up the one chicken in great glee. When one of the chickens was swallowed down, and still her master did not come, Grethel looked at the other and said, "Where one is, the other should be likewise, the two go together; what's right for the one is right for the other; I think if I were to take another draught it would do me no harm." So she took another hearty drink, and let the second chicken rejoin the first.



While she was just in the best of the eating, her master came and cried, hurry up, "Haste thee, Grethel, the guest is coming directly after me!" - "Yes, sir, I will soon serve up," answered Grethel. Meantime the master looked to see that the table was properly laid, and took the great knife, wherewith he was going to carve the chickens, and sharpened it on the steps. Presently the guest came, and knocked politely and courteously at the house-door. Grethel ran, and looked to see who was there, and when she saw the guest, she put her finger to her lips and said, "Hush! hush! get away as quickly as you can, if my master catches you it will be the worse for you; he certainly did ask you to supper, but his intention is to cut off your two ears. Just listen how he is sharpening the knife for it!" The guest heard the sharpening, and hurried down the steps again as fast as he could. Grethel was not idle; she ran screaming to her master, and cried, "You have invited a fine guest!" - "Eh, why, Grethel? What do you mean by that?" - "Yes," said she, "he has taken the chickens which I was just going to serve up, off the dish, and has run away with them!" - "That's a nice trick!" said her master, and lamented the fine chickens. "If he had but left me one, so that something remained for me to eat." He called to him to stop, but the guest pretended not to hear. Then he ran after him with the knife still in his hand, crying, "Just one, just one," meaning that the guest should leave him just one chicken, and not take both. The guest, however, thought no otherwise than that he was to give up one of his ears, and ran as if fire were burning under him, in order to take them both home with him.



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The thief and his master

Hans wished to put his son to learn a trade, so he went into the church and prayed to our Lord God to know which would be most advantageous for him. Then the clerk got behind the altar, and said, "Thieving, thieving." On this Hans goes back to his son, and tells him he is to learn thieving, and that the Lord God had said so. So he goes with his son to seek a man who is acquainted with thieving. They walk a long time and come into a great forest, where stands a little house with an old woman in it. Hans says, "Do you know of a man who is acquainted with thieving?" - "You can learn that here quite well," says the woman, "my son is a master of it." So he speaks with the son, and asks if he knows thieving really well? The master-thief says, "I will teach him well. Come back when a year is over, and then if you recognize your son, I will take no payment at all for teaching him; but if you don't know him, you must give me two hundred thalers."

The father goes home again, and the son learns witchcraft and thieving, thoroughly. When the year is out, the father is full of anxiety to know how he is to contrive to recognize his son. As he is thus going about in his trouble, he meets a little dwarf, who says, "Man, what ails you, that you are always in such trouble?"

"Oh," says Hans, "a year ago I placed my son with a master-thief who told me I was to come back when the year was out, and that if I then did not know my son when I saw him, I was to pay two hundred thalers; but if I did know him I was to pay nothing, and now I am afraid of not knowing him and can't tell where I am to get the money." Then the dwarf tells him to take a small basket of bread with him, and to stand beneath the chimney. "There on the cross-beam is a basket, out of which a little bird is peeping, and that is your son."

Hans goes thither, and throws a little basket full of black bread in front of the basket with the bird in it, and the little bird comes out, and looks up. "Hollo, my son, art thou here?" says the father, and the son is delighted to see his father, but the master-thief says, "The devil must have prompted you, or how could you have known your son?" - "Father, let us go," said the youth.

Then the father and son set out homeward. On the way a carriage comes driving by. Hereupon the son says to his father, "I will change myself into a large greyhound, and then you can earn a great deal of money by me." Then the gentleman calls from the carriage, "My man, will you sell your dog?" - "Yes," says the father. "How much do you want for it?" - "Thirty thalers." - "Eh, man, that is a great deal, but as it is such a very fine dog I will have it." The gentleman takes it into his carriage, but when they have driven a little farther the dog springs out of the carriage through the window, and goes back to his father, and is no longer a greyhound.

They go home together. Next day there is a fair in the neighboring town, so the youth says to his father, "I will now change myself into a beautiful horse, and you can sell me; but when you have sold me, you must take off my bridle, or I cannot become a man again." Then the father goes with the horse to the fair, and the master-thief comes and buys the horse for a hundred thalers, but the father forgets, and does not take off the bridle. So the man goes home with the horse, and puts it in the stable. When the maid crosses the threshold, the horse says, "Take off my bridle, take off my bridle." Then the maid stands still, and says, "What, canst thou speak?" So she goes and takes the bridle off, and the horse becomes a sparrow, and flies out at the door, and the wizard becomes a sparrow also, and flies after him. Then they come together and cast lots, but the master loses, and betakes himself to the water and is a fish. Then the youth also becomes a fish, and they cast lots again, and the master loses. So the master changes himself into a cock, and the youth becomes a fox, and bites the master's head off, and he died and has remained dead to this day.





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The Louse and the Flea

A louse and a flea kept house together and were brewing beer in an egg-shell. Then the little louse fell in and burnt herself. On this the little flea began to scream loudly. Then said the little room-door: "Little flea, why art thou screaming?" – "Because the louse has burnt herself."



Then the little door began to creak. On this a little broom in the corner said: "Why art thou creaking, little door?" – "Have I not reason to creak?


The little louse has burnt herself,
The little flea is weeping."

So the little broom began to sweep frantically. Then a little cart passed by and said: "Why art thou sweeping, little broom?" – "Have I not reason to sweep?

The little louse has burnt herself,
The little flea is weeping,
The little door is creaking."

So the little cart said: "Then I will run," and began to run wildly. Then said the ash-heap by which it ran: "Why art thou running so, little cart?" – "Have I not reason to run?

The little louse has burnt herself,
The little flea is weeping,
The little door is creaking,
The little broom is sweeping."

The ash-heap said: "Then I will burn furiously," and began to burn in clear flames. A little tree stood near the ash-heap and said: "Ash-heap, why art thou burning?" – "Have I not reason to burn?

The little louse has burnt herself,
The little flea is weeping,
The little door is creaking,
The little broom is sweeping,
The little cart is running."

The little tree said: "Then I will shake myself," and began to shake herself so that all her leaves fell off; a girl who came up with her water-pitcher saw that, and said: "Little tree, why art thou shaking thyself?" – "Have I not reason to shake myself?

The little louse has burnt herself,
The little flea is weeping,
The little door is creaking,
The little broom is sweeping,
The little cart is running,
The little ash-heap is burning."

On this the girl said: "Then I will break my little water-pitcher," and she broke her little water-pitcher. Then said the little spring from which ran the water: "Girl, why art thou breaking thy water-jug?" – "Have I not reason to break my water-jug?

The little louse has burnt herself,
The little flea is weeping,
The little door is creaking,
The little broom is sweeping,
The little cart is running,
The little ash-heap is burning,
The little tree is shaking itself."

"Oh, ho," said the spring, "then I will begin to flow," and began to flow violently. And in the water everything was drowned, the girl, the little tree, the little ash-heap, the little cart, the broom, the little door, the little flea, the little louse, all together.



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The singing bone



In a certain country there was once great lamentation over a wild boar that laid waste the farmer's fields, killed the cattle, and ripped up people's bodies with his tusks. The King promised a large reward to anyone who would free the land from this plague; but the beast was so big and strong that no one dared to go near the forest in which it lived. At last the King gave notice that whosoever should capture or kill the wild boar should have his only daughter to wife.

Now there lived in the country two brothers, sons of a poor man, who declared themselves willing to undertake the hazardous enterprise; the elder, who was crafty and shrewd, out of pride; the younger, who was innocent and simple, from a kind heart. The King said, "In order that you may be the more sure of finding the beast, you must go into the forest from opposite sides." So the elder went in on the west side, and the younger on the east. When the younger had gone a short way, a little man stepped up to him. He held in his hand a black spear and said, "I give you this spear because your heart is pure and good; with this you can boldly attack the wild boar, and it will do you no harm." He thanked the little man, shouldered the spear, and went on fearlessly. Before long he saw the beast, which rushed at him; but he held the spear towards it, and in its blind fury it ran so swiftly against it that its heart was cloven in twain. Then he took the monster on his back and went homewards with it to the King.

As he came out at the other side of the wood, there stood at the entrance a house where people were making merry with wine and dancing. His elder brother had gone in here, and, thinking that after all the boar would not run away from him, was going to drink until he felt brave. But when he saw his young brother coming out of the wood laden with his booty, his envious, evil heart gave him no peace. He called out to him, "Come in, dear brother, rest and refresh yourself with a cup of wine." The youth, who suspected no evil, went in and told him about the good little man who had given him the spear wherewith he had slain the boar.

The elder brother kept him there until the evening, and then they went away together, and when in the darkness they came to a bridge over a brook, the elder brother let the other go first; and when he was half-way across he gave him such a blow from behind that he fell down dead. He buried him beneath the bridge, took the boar, and carried it to the King, pretending that he had killed it; whereupon he obtained the King's daughter in marriage. And when his younger brother did not come back he said, "The boar must have killed him," and every one believed it.

But as nothing remains hidden from God, so this black deed also was to come to light. Years afterwards a shepherd was driving his herd across the bridge, and saw lying in the sand beneath, a snow-white little bone. He thought that it would make a good mouth-piece, so he clambered down, picked it up, and cut out of it a mouth-piece for his horn. But when he blew through it for the first time, to his great astonishment, the bone began of its own accord to sing:
"Ah, friend,
Thou blowest upon my bone!
Long have I lain beside the water;
My brother slew me for the boar,
And took for his wife
The King's young daughter."
"What a wonderful horn!" said the shepherd; "it sings by itself; I must take it to my lord the King." And when he came with it to the King the horn again began to sing its little song. The King understood it all, and caused the ground below the bridge to be dug up, and then the whole skeleton of the murdered man came to light. The wicked brother could not deny the deed, and was sewn up in a sack and drowned. But the bones of the murdered man were laid to rest in a beautiful tomb in the churchyard.


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The three snake-leaves

There was once on a time a poor man, who could no longer support his only son. Then said the son, "Dear father, things go so badly with us that I am a burden to you. I would rather go away and see how I can earn my bread." So the father gave him his blessing, and with great sorrow took leave of him. At this time the King of a mighty empire was at war, and the youth took service with him, and with him went out to fight. And when he came before the enemy, there was a battle, and great danger, and it rained shot until his comrades fell on all sides, and when the leader also was killed, those left were about to take flight, but the youth stepped forth, spoke boldly to them, and cried, "We will not let our fatherland be ruined!" Then the others followed him, and he pressed on and conquered the enemy. When the King heard that he owed the victory to him alone, he raised him above all the others, gave him great treasures, and made him the first in the kingdom.
The King had a daughter who was very beautiful, but she was also very strange.
She had made a vow to take no one as her lord and husband who did not promise to let himself be buried alive with her if she died first. "If he loves me with all his heart," said she, "of what use will life be to him afterwards?" On her side she would do the same, and if he died first, would go down to the grave with him. This strange oath had up to this time frightened away all wooers, but the youth became so charmed with her beauty that he cared for nothing, but asked her father for her. "But dost thou know what thou must promise?" said the King. "I must be buried with her," he replied, "if I outlive her, but my love is so great that I do not mind the danger." Then the King consented, and the wedding was solemnized with great splendour.

They lived now for a while happy and contented with each other, and then it befell that the young Queen was attacked by a severe illness, and no physician could save her. And as she lay there dead, the young King remembered what he had been obliged to promise, and was horrified at having to lie down alive in the grave, but there was no escape. The King had placed sentries at all the gates, and it was not possible to avoid his fate. When the day came when the corpse was to be buried, he was taken down into the royal vault with it and then the door was shut and bolted.

Near the coffin stood a table on which were four candles, four loaves of bread, and four bottles of wine, and when this provision came to an end, he would have to die of hunger. And now he sat there full of pain and grief, ate every day only a little piece of bread, drank only a mouthful of wine, and nevertheless saw death daily drawing nearer. Whilst he thus gazed before him, he saw a snake creep out of a corner of the vault and approach the dead body. And as he thought it came to gnaw at it, he drew his sword and said, "As long as I live, thou shalt not touch her," and hewed the snake in three pieces. After a time a second snake crept out of the hole, and when it saw the other lying dead and cut in pieces, it went back, but soon came again with three green leaves in its mouth. Then it took the three pieces of the snake, laid them together, as they ought to go, and placed one of the leaves on each wound. Immediately the severed parts joined themselves together, the snake moved, and became alive again, and both of them hastened away together. The leaves were left lying on the ground, and a desire came into the mind of the unhappy man who had been watching all this, to know if the wondrous power of the leaves which had brought the snake to life again, could not likewise be of service to a human being. So he picked up the leaves and laid one of them on the mouth of his dead wife, and the two others on her eyes. And hardly had he done this than the blood stirred in her veins, rose into her pale face, and coloured it again. Then she drew breath, opened her eyes, and said, "Ah, God, where am I?" - "Thou art with me, dear wife," he answered, and told her how everything had happened, and how he had brought her back again to life. Then he gave her some wine and bread, and when she had regained her strength, he raised her up and they went to the door and knocked, and called so loudly that the sentries heard it, and told the King. The King came down himself and opened the door, and there he found both strong and well, and rejoiced with them that now all sorrow was over. The young King, however, took the three snake-leaves with him, gave them to a servant and said, "Keep them for me carefully, and carry them constantly about thee; who knows in what trouble they may yet be of service to us!"

A change had, however, taken place in his wife; after she had been restored to life, it seemed as if all love for her husband had gone out of her heart. After some time, when he wanted to make a voyage over the sea, to visit his old father, and they had gone on board a ship, she forgot the great love and fidelity which he had shown her, and which had been the means of rescuing her from death, and conceived a wicked inclination for the skipper. And once when the young King lay there asleep, she called in the skipper and seized the sleeper by the head, and the skipper took him by the feet, and thus they threw him down into the sea. When the shameful deed was done, she said, "Now let us return home, and say that he died on the way. I will extol and praise thee so to my father that he will marry me to thee, and make thee the heir to his crown." But the faithful servant who had seen all that they did, unseen by them, unfastened a little boat from the ship, got into it, sailed after his master, and let the traitors go on their way. He fished up the dead body, and by the help of the three snake-leaves which he carried about with him, and laid on the eyes and mouth, he fortunately brought the young King back to life.

They both rowed with all their strength day and night, and their little boat flew so swiftly that they reached the old King before the others did. He was astonished when he saw them come alone, and asked what had happened to them. When he learnt the wickedness of his daughter he said, "I cannot believe that she has behaved so ill, but the truth will soon come to light," and bade both go into a secret chamber and keep themselves hidden from every one. Soon afterwards the great ship came sailing in, and the godless woman appeared before her father with a troubled countenance. He said, "Why dost thou come back alone? Where is thy husband?" - "Ah, dear father," she replied, "I come home again in great grief; during the voyage, my husband became suddenly ill and died, and if the good skipper had not given me his help, it would have gone ill with me. He was present at his death, and can tell you all." The King said, "I will make the dead alive again," and opened the chamber, and bade the two come out. When the woman saw her husband, she was thunderstruck, and fell on her knees and begged for mercy. The King said, "There is no mercy. He was ready to die with thee and restored thee to life again, but thou hast murdered him in his sleep, and shalt receive the reward that thou deservest." Then she was placed with her accomplice in a ship which had been pierced with holes, and sent out to sea, where they soon sank amid the waves.



* * * END * * *



The Wonderful Musician

There was once a wonderful musician, who went quite alone through a forest and thought of all manner of things, and when nothing was left for him to think about, he said to himself, "Time is beginning to pass heavily with me here in the forest, I will fetch hither a good companion for myself." Then he took his fiddle from his back, and played so that it echoed through the trees. It was not long before a wolf came trotting through the thicket towards him. "Ah, here is a wolf coming! I have no desire for him!" said the musician; but the wolf came nearer and said to him, "Ah, dear musician, how beautifully thou dost play. I should like to learn that, too." - "It is soon learnt," the musician replied, "thou hast only to do all that I bid thee." - "Oh, musician," said the wolf, "I will obey thee as a scholar obeys his master." The musician bade him follow, and when they had gone part of the way together, they came to an old oak-tree which was hollow inside, and cleft in the middle. "Look," said the musician, "if thou wilt learn to fiddle, put thy fore paws into this crevice." The wolf obeyed, but the musician quickly picked up a stone and with one blow wedged his two paws so fast that he was forced to stay there like a prisoner. "Stay there until I come back again," said the musician, and went his way.

After a while he again said to himself, "Time is beginning to pass heavily with me here in the forest, I will fetch hither another companion," and took his fiddle and again played in the forest. It was not long before a fox came creeping through the trees towards him. "Ah, there's a fox coming!" said the musician. "I have no desire for him." The fox came up to him and said, "Oh, dear musician, how beautifully thou dost play! I should like to learn that too." - "That is soon learnt," said the musician. "Thou hast only to do everything that I bid thee." - "Oh, musician," then said the fox, "I will obey thee as a scholar obeys his master." - "Follow me," said the musician; and when they had walked a part of the way, they came to a footpath, with high bushes on both sides of it. There the musician stood still, and from one side bent a young hazel-bush down to the ground, and put his foot on the top of it, then he bent down a young tree from the other side as well, and said, "Now little fox, if thou wilt learn something, give me thy left front paw." The fox obeyed, and the musician fastened his paw to the left bough. "Little fox," said he, "now reach me thy right paw" and he tied it to the right bough. When he had examined whether they were firm enough, he let go, and the bushes sprang up again, and jerked up the little fox, so that it hung struggling in the air. "Wait there till I come back again," said the musician, and went his way.

Again he said to himself, "Time is beginning to pass heavily with me here in the forest, I will fetch hither another companion," so he took his fiddle, and the sound echoed through the forest. Then a little hare came springing towards him. "Why, a hare is coming," said the musician, "I do not want him." - "Ah, dear musician," said the hare, "how beautifully thou dost fiddle; I too, should like to learn that." - "That is soon learnt," said the musician, "thou hast only to do everything that I bid thee." - "Oh, musician," replied the little hare, "I will obey thee as a scholar obeys his master." They went a part of the way together until they came to an open space in the forest, where stood an aspen tree. The musician tied a long string round the little hare's neck, the other end of which he fastened to the tree. "Now briskly, little hare, run twenty times round the tree!" cried the musician, and the little hare obeyed, and when it had run round twenty times, it had twisted the string twenty times round the trunk of the tree, and the little hare was caught, and let it pull and tug as it liked, it only made the string cut into its tender neck. "Wait there till I come back," said the musician, and went onwards.

The wolf, in the meantime, had pushed and pulled and bitten at the stone, and had worked so long that he had set his feet at liberty and had drawn them once more out of the cleft. Full of anger and rage he hurried after the musician and wanted to tear him to pieces. When the fox saw him running, he began to lament, and cried with all his might, "Brother wolf, come to my help, the musician has betrayed me!" The wolf drew down the little tree, bit the cord in two, and freed the fox, who went with him to take revenge on the musician. They found the tied-up hare, whom likewise they delivered, and then they all sought the enemy together.

The musician had once more played his fiddle as he went on his way, and this time he had been more fortunate. The sound reached the ears of a poor wood-cutter, who instantly, whether he would or no, gave up his work and came with his hatchet under his arm to listen to the music. "At last comes the right companion," said the musician, "for I was seeking a human being, and no wild beast." And he began and played so beautifully and delightfully that the poor man stood there as if bewitched, and his heart leaped with gladness. And as he thus stood, the wolf, the fox, and the hare came up, and he saw well that they had some evil design. So he raised his glittering axe and placed himself before the musician, as if to say, "Whoso wishes to touch him let him beware, for he will have to do with me!" Then the beasts were terrified and ran back into the forest. The musician, however, played once more to the man out of gratitude, and then went onwards.


* * * END * * *


The Story of the Youth Who Went Forth to Learn What Fear Was

A certain father had two sons, the elder of whom was smart and sensible, and could do everything, but the younger was stupid and could neither learn nor understand anything, and when people saw him they said, "There's a fellow who will give his father some trouble!" When anything had to be done, it was always the elder who was forced to do it; but if his father bade him fetch anything when it was late, or in the night-time, and the way led through the churchyard, or any other dismal place, he answered "Oh, no, father, I'll not go there, it makes me shudder!" for he was afraid. Or when stories were told by the fire at night which made the flesh creep, the listeners sometimes said "Oh, it makes us shudder!" The younger sat in a corner and listened with the rest of them, and could not imagine what they could mean. "They are always saying 'it makes me shudder, it makes me shudder!' It does not make me shudder," thought he. "That, too, must be an art of which I understand nothing."



Now it came to pass that his father said to him one day "Hearken to me, thou fellow in the corner there, thou art growing tall and strong, and thou too must learn something by which thou canst earn thy living. Look how thy brother works, but thou dost not even earn thy salt." - "Well, father," he replied, "I am quite willing to learn something - indeed, if it could but be managed, I should like to learn how to shudder. I don't understand that at all yet." The elder brother smiled when he heard that, and thought to himself, "Good God, what a blockhead that brother of mine is! He will never be good for anything as long as he lives. He who wants to be a sickle must bend himself betimes." The father sighed, and answered him "thou shalt soon learn what it is to shudder, but thou wilt not earn thy bread by that."


Soon after this the sexton came to the house on a visit, and the father bewailed his trouble, and told him how his younger son was so backward in every respect that he knew nothing and learnt nothing. "Just think," said he, "when I asked him how he was going to earn his bread, he actually wanted to learn to shudder." - "If that be all," replied the sexton, "he can learn that with me. Send him to me, and I will soon polish him." The father was glad to do it, for he thought, "It will train the boy a little." The sexton therefore took him into his house, and he had to ring the bell. After a day or two, the sexton awoke him at midnight, and bade him arise and go up into the church tower and ring the bell. "Thou shalt soon learn what shuddering is," thought he, and secretly went there before him; and when the boy was at the top of the tower and turned round, and was just going to take hold of the bell rope, he saw a white figure standing on the stairs opposite the sounding hole. "Who is there?" cried he, but the figure made no reply, and did not move or stir. "Give an answer," cried the boy, "or take thy self off, thou hast no business here at night." The sexton, however, remained standing motionless that the boy might think he was a ghost. The boy cried a second time, "What do you want here? - speak if thou art an honest fellow, or I will throw thee down the steps!" The sexton thought, "he can't intend to be as bad as his words," uttered no sound and stood as if he were made of stone. Then the boy called to him for the third time, and as that was also to no purpose, he ran against him and pushed the ghost down the stairs, so that it fell down ten steps and remained lying there in a corner. Thereupon he rang the bell, went home, and without saying a word went to bed, and fell asleep. The sexton's wife waited a long time for her husband, but he did not come back. At length she became uneasy, and wakened the boy, and asked, "Dost thou not know where my husband is? He climbed up the tower before thou didst." - "No, I don't know," replied the boy, "but some one was standing by the sounding hole on the other side of the steps, and as he would neither give an answer nor go away, I took him for a scoundrel, and threw him downstairs, just go there and you will see if it was he. I should be sorry if it were." The woman ran away and found her husband, who was lying moaning in the corner, and had broken his leg.

She carried him down, and then with loud screams she hastened to the boy's father. "Your boy," cried she, "has been the cause of a great misfortune! He has thrown my husband down the steps and made him break his leg. Take the good-for-nothing fellow away from our house." The father was terrified, and ran thither and scolded the boy. "What wicked tricks are these?" said he, "the devil must have put this into thy head." - "Father," he replied, "do listen to me. I am quite innocent. He was standing there by night like one who is intending to do some evil. I did not know who it was, and I entreated him three times either to speak or to go away." - "Ah," said the father, "I have nothing but unhappiness with you. Go out of my sight. I will see thee no more." - "Yes, father, right willingly, wait only until it is day. Then will I go forth and learn how to shudder, and then I shall, at any rate, understand one art which will support me." - "Learn what thou wilt," spake the father, "it is all the same to me. Here are fifty thalers for thee. Take these and go into the wide world, and tell no one from whence thou comest, and who is thy father, for I have reason to be ashamed of thee." - "Yes, father, it shall be as you will. If you desire nothing more than that, I can easily keep it in mind."

When day dawned, therefore, the boy put his fifty thalers into his pocket, and went forth on the great highway, and continually said to himself, "If I could but shudder! If I could but shudder!" Then a man approached who heard this conversation which the youth was holding with himself, and when they had walked a little farther to where they could see the gallows, the man said to him, "Look, there is the tree where seven men have married the ropemaker's daughter, and are now learning how to fly. Sit down below it, and wait till night comes, and you will soon learn how to shudder." - "If that is all that is wanted," answered the youth, "it is easily done; but if I learn how to shudder as fast as that, thou shalt have my fifty thalers. Just come back to me early in the morning." Then the youth went to the gallows, sat down below it, and waited till evening came. And as he was cold, he lighted himself a fire, but at midnight the wind blew so sharply that in spite of his fire, he could not get warm. And as the wind knocked the hanged men against each other, and they moved backwards and forwards, he thought to himself "Thou shiverest below by the fire, but how those up above must freeze and suffer!" And as he felt pity for them, he raised the ladder, and climbed up, unbound one of them after the other, and brought down all seven. Then he stirred the fire, blew it, and set them all round it to warm themselves. But they sat there and did not stir, and the fire caught their clothes. So he said, "Take care, or I will hang you up again." The dead men, however, did not hear, but were quite silent, and let their rags go on burning. On this he grew angry, and said, "If you will not take care, I cannot help you, I will not be burnt with you," and he hung them up again each in his turn. Then he sat down by his fire and fell asleep, and the next morning the man came to him and wanted to have the fifty thalers, and said, "Well, dost thou know how to shudder?" - "No," answered he, "how was I to get to know? Those fellows up there did not open their mouths, and were so stupid that they let the few old rags which they had on their bodies get burnt." Then the man saw that he would not get the fifty thalers that day, and went away saying, "One of this kind has never come my way before."

The youth likewise went his way, and once more began to mutter to himself, "Ah, if I could but shudder! Ah, if I could but shudder!" A waggoner who was striding behind him heard that and asked, "Who are you?" - "I don't know," answered the youth. Then the waggoner asked, "From whence comest thou?" - "I know not." - "Who is thy father?" - "That I may not tell thee." - "What is it that thou art always muttering between thy teeth." - "Ah," replied the youth, "I do so wish I could shudder, but no one can teach me how to do it." - "Give up thy foolish chatter," said the waggoner. "Come, go with me, I will see about a place for thee." The youth went with the waggoner, and in the evening they arrived at an inn where they wished to pass the night. Then at the entrance of the room the youth again said quite loudly, "If I could but shudder! If I could but shudder!" The host who heard this, laughed and said, "If that is your desire, there ought to be a good opportunity for you here." - "Ah, be silent," said the hostess, "so many inquisitive persons have already lost their lives, it would be a pity and a shame if such beautiful eyes as these should never see the daylight again." But the youth said, "However difficult it may be, I will learn it and for this purpose indeed have I journeyed forth." He let the host have no rest, until the latter told him, that not far from thence stood a haunted castle where any one could very easily learn what shuddering was, if he would but watch in it for three nights. The King had promised that he who would venture should have his daughter to wife, and she was the most beautiful maiden the sun shone on. Great treasures likewise lay in the castle, which were guarded by evil spirits, and these treasures would then be freed, and would make a poor man rich enough. Already many men had gone into the castle, but as yet none had come out again. Then the youth went next morning to the King and said if he were allowed he would watch three nights in the haunted castle. The King looked at him, and as the youth pleased him, he said, "Thou mayest ask for three things to take into the castle with thee, but they must be things without life." Then he answered, "Then I ask for a fire, a turning lathe, and a cutting-board with the knife."

The King had these things carried into the castle for him during the day. When night was drawing near, the youth went up and made himself a bright fire in one of the rooms, placed the cutting-board and knife beside it, and seated himself by the turning-lathe. "Ah, if I could but shudder!" said he, "but I shall not learn it here either." Towards midnight he was about to poke his fire, and as he was blowing it, something cried suddenly from one corner, "Au, miau! how cold we are!" - "You simpletons!" cried he, "what are you crying about? If you are cold, come and take a seat by the fire and warm yourselves." And when he had said that, two great black cats came with one tremendous leap and sat down on each side of him, and looked savagely at him with their fiery eyes. After a short time, when they had warmed themselves, they said, "Comrade, shall we have a game at cards?" - "Why not?" he replied, "but just show me your paws." Then they stretched out their claws. "Oh," said he, "what long nails you have! Wait, I must first cut them for you." Thereupon he seized them by the throats, put them on the cutting-board and screwed their feet fast. "I have looked at your fingers," said he, "and my fancy for card-playing has gone," and he struck them dead and threw them out into the water. But when he had made away with these two, and was about to sit down again by his fire, out from every hole and corner came black cats and black dogs with red-hot chains, and more and more of them came until he could no longer stir, and they yelled horribly, and got on his fire, pulled it to pieces, and tried to put it out. He watched them for a while quietly, but at last when they were going too far, he seized his cutting-knife, and cried, "Away with ye, vermin," and began to cut them down. Part of them ran away, the others he killed, and threw out into the fish-pond. When he came back he fanned the embers of his fire again and warmed himself. And as he thus sat, his eyes would keep open no longer, and he felt a desire to sleep. Then he looked round and saw a great bed in the corner. "That is the very thing for me," said he, and got into it. When he was just going to shut his eyes, however, the bed began to move of its own accord, and went over the whole of the castle. "That's right," said he, "but go faster." Then the bed rolled on as if six horses were harnessed to it, up and down, over thresholds and steps, but suddenly hop, hop, it turned over upside down, and lay on him like a mountain.

But he threw quilts and pillows up in the air, got out and said, "Now any one who likes, may drive," and lay down by his fire, and slept till it was day. In the morning the King came, and when he saw him lying there on the ground, he thought the evil spirits had killed him and he was dead. Then said he, "After all it is a pity, he is a handsome man." The youth heard it, got up, and said, "It has not come to that yet." Then the King was astonished, but very glad, and asked how he had fared. "Very well indeed," answered he; "one night is past, the two others will get over likewise." Then he went to the innkeeper, who opened his eyes very wide, and said, "I never expected to see thee alive again! Hast thou learnt how to shudder yet?" - "No," said he, "it is all in vain. If some one would but tell me."

The second night he again went up into the old castle, sat down by the fire, and once more began his old song, "If I could but shudder." When midnight came, an uproar and noise of tumbling about was heard; at first it was low, but it grew louder and louder. Then it was quiet for awhile, and at length with a loud scream, half a man came down the chimney and fell before him. "Hollo!" cried he, "another half belongs to this. This is too little!" Then the uproar began again, there was a roaring and howling, and the other half fell down likewise. "Wait," said he, "I will just blow up the fire a little for thee." When he had done that and looked round again, the two pieces were joined together, and a frightful man was sitting in his place. "That is no part of our bargain," said the youth, "the bench is mine." The man wanted to push him away; the youth, however, would not allow that, but thrust him off with all his strength, and seated himself again in his own place. Then still more men fell down, one after the other; they brought nine dead men's legs and two skulls, and set them up and played at nine-pins with them. The youth also wanted to play and said "Hark you, can I join you?" - "Yes, if thou hast any money." - "Money enough," replied he, "but your balls are not quite round." Then he took the skulls and put them in the lathe and turned them till they were round. "There, now, they will roll better!" said he. "Hurrah! Now it goes merrily!" He played with them and lost some of his money, but when it struck twelve, everything vanished from his sight. He lay down and quietly fell asleep. Next morning the King came to inquire after him. "How has it fared with you this time?" asked he. "I have been playing at nine-pins," he answered, "and have lost a couple of farthings." - "Hast thou not shuddered then?" - "Eh, what?" said he, "I have made merry. If I did but know what it was to shudder!"

The third night he sat down again on his bench and said quite sadly, "If I could but shudder." When it grew late, six tall men came in and brought a coffin. Then said he, "Ha, ha, that is certainly my little cousin, who died only a few days ago," and he beckoned with his finger, and cried "Come, little cousin, come." They placed the coffin on the ground, but he went to it and took the lid off, and a dead man lay therein. He felt his face, but it was cold as ice. "Stop," said he, "I will warm thee a little," and went to the fire and warmed his hand and laid it on the dead man's face, but he remained cold. Then he took him out, and sat down by the fire and laid him on his breast and rubbed his arms that the blood might circulate again. As this also did no good, he thought to himself "When two people lie in bed together, they warm each other," and carried him to the bed, covered him over and lay down by him. After a short time the dead man became warm too, and began to move. Then said the youth, "See, little cousin, have I not warmed thee?" The dead man, however, got up and cried, "Now will I strangle thee." - "What!" said he, "is that the way thou thankest me? Thou shalt at once go into thy coffin again," and he took him up, threw him into it, and shut the lid. Then came the six men and carried him away again. "I cannot manage to shudder," said he. "I shall never learn it here as long as I live."

Then a man entered who was taller than all others, and looked terrible. He was old, however, and had a long white beard. "Thou wretch," cried he, "thou shalt soon learn what it is to shudder, for thou shalt die." - "Not so fast," replied the youth. "If I am to die, I shall have to have a say in it." - "I will soon seize thee," said the fiend. "Softly, softly, do not talk so big. I am as strong as thou art, and perhaps even stronger." - "We shall see," said the old man. "If thou art stronger, I will let thee go - come, we will try." Then he led him by dark passages to a smith's forge, took an axe, and with one blow struck an anvil into the ground. "I can do better than that," said the youth, and went to the other anvil. The old man placed himself near and wanted to look on, and his white beard hung down. Then the youth seized the axe, split the anvil with one blow, and struck the old man's beard in with it. "Now I have thee," said the youth. "Now it is thou who will have to die." Then he seized an iron bar and beat the old man till he moaned and entreated him to stop, and he would give him great riches. The youth drew out the axe and let him go. The old man led him back into the castle, and in a cellar showed him three chests full of gold. "Of these," said he, "one part is for the poor, the other for the king, the third is thine." In the meantime it struck twelve, and the spirit disappeared; the youth, therefore, was left in darkness. "I shall still be able to find my way out," said he, and felt about, found the way into the room, and slept there by his fire. Next morning the King came and said "Now thou must have learnt what shuddering is?" - "No," he answered; "what can it be? My dead cousin was here, and a bearded man came and showed me a great deal of money down below, but no one told me what it was to shudder." - "Then," said the King, "thou hast delivered the castle, and shalt marry my daughter." - "That is all very well," said he, "but still I do not know what it is to shudder."

Then the gold was brought up and the wedding celebrated; but howsoever much the young king loved his wife, and however happy he was, he still said always "If I could but shudder - if I could but shudder." And at last she was angry at this. Her waiting-maid said, "I will find a cure for him; he shall soon learn what it is to shudder." She went out to the stream which flowed through the garden, and had a whole bucketful of gudgeons brought to her. At night when the young king was sleeping, his wife was to draw the clothes off him and empty the bucketful of cold water with the gudgeons in it over him, so that the little fishes would sprawl about him. When this was done, he woke up and cried "Oh, what makes me shudder so? What makes me shudder so, dear wife? Ah! now I know what it is to shudder!"


* * * END * * *




mercoledì 12 febbraio 2014

GRIMM PROJECT




ENG: A thick book is on the desk. A thin layer of dust on the stiff binding and on the large gothic characters embedded on the cover. Rustling pages. A man reads the stories and images take shape in his mind, against the backdrop of quiet roads and construction sites, in Berlin. The silver sky and the dry, cold days of mid-February. The tale of Grimm Project begins thus.Places and relationships are often useful sources for inspiration, and going to Berlin and meeting Jakob and Wilhelm Grimm – the pioneers of German grammar – have been decisive for LAST22. In fact, for his latest project, fully developed during a trip to the capital, the artist has picked and chosen a series of images, taking the paths traced by the two brothers, scholars of folklore and of old German oral traditions that have been merged into their collections of fairy tales and sagas. A new artwork takes shape by cutting another one, already existing. The originally perfect shape is cut through, some sections are deleted, other overlap, so as to generate a material and semiotic chaos. Decollage is a tested technique, valued by Neo Dadaism. It is a concrete act, often brutal. LAST22 carries out such an operation for Grimm Project. The corpus of the Grimms’ tales is an unlimited field, upon which instinct, inspiration and research do intervene. His intent is to linger on some specific words, to overthrow some perspectives and to twist stereotyped parables, blurring the borders between the positive and the negative, which is always definite in moral fairy tales. The stories go through a continuous process of deconstruction that breaks up the genre. The fairy tale is a didactic text, all characters are conceived to serve an edifying and moralistic purpose. The language closely follows these guidelines and words are always the same, thus summoning similar stories and teachings.The artistic mediation delves into the narrative layers and exposes the cyclical nature of the stories and their hidden restlessness and violence, by way of figurative metanarrative.A continuous process of deconstruction affects each tale, so as to undermine the foundations of the genre. The text is broken up into this meticulous decollage, and a weird and wonderful world of images – made up of anatomic sections, rusty locks, vengeful animals, and omniscient skulls – springs out of this operation. Images are ambiguous; they stimulate the pleasure for optical deceptions and for perceptual double entendre. Pictures taken from encyclopaedias and symbols entered the sensorial routine, together with explicit references to society and illustrations from scientific texts, all pervading the representation field. These visual fragments perfectly crisscross with the characters and settings of Grimm’s fairy tales. Street Art, as a crucial phase of LAST22’s artistic journey, participates in this experiment. His artworks, in fact, searching for direct contact with the users, are disseminated in urban areas, under the “true” pretences of Poster Art. QR codes come with each image, to elicit the exchange with users and connect the pictures to the virtual page of each story, as a technological subtext that reveals the inspiration and elucidates ambiguities. This passage through virtual reality establishes the harmony between language and images, two sides of the same mirror, as the legitimate attempt at looking for meanings, which can be neither created nor destroyed but, continuously, can change.

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ITA: Sulla scrivania, c’è un libro voluminoso. Un velo di polvere tra gli incavi della rilegatura rigida e sui grandi caratteri gotici, impressi in copertina. Fruscio delle pagine. Un uomo legge le storie e, nella sua mente, prendono forma immagini, sullo sfondo delle strade silenziose e dei cantieri di Berlino. Il cielo argentato e il freddo secco di metà febbraio. Il racconto di Grimm Project inizia così.
I luoghi e i rapporti, spesso, sono fonte privilegiata di ispirazione e, per LAST22, è stato decisivo l’incontro con Berlino e con Jakob e Wilhelm Grimm, i padri della grammatica tedesca. Infatti, per il suo ultimo progetto, sviluppato in occasione di un viaggio nella capitale, l’artista ha scelto di creare una serie di immagini, seguendo le trame ordite dai due fratelli, studiosi del folclore e delle antiche tradizioni orali germaniche, confluite in ampie raccolte di fiabe e saghe. 
L’opera si materializza attraverso il sezionamento di un’altra già esistente. La forma intera e perfetta dell’originale viene incisa, alcune parti vengono eliminate, altre sovrapposte, per generare un caos materico e segnico, è un atto concreto, brutale in molti casi. Questa, è la prassi del decollage, tecnica sperimentata e portata all’apice dalla corrente del Neo Dadaismo. In Grimm Project, LAST22 compie un’operazione simile. Il corpus di fiabe dei fratelli Grimm è un campo sterminato, sul quale intervengono l’istinto, l’ispirazione e la ricerca. 
La fiaba è un testo didascalico, tutti i caratteri sono fissi e servono allo scopo finale, edificante e moralistico. Anche il linguaggio segue fedelmente queste linee guida e i termini si ripetono, richiamano ad altre storie e insegnamenti simili. 
L’intervento artistico si inserisce in questa stratificazione letteraria e, attraverso un’originale metanarrazione visiva, mette a nudo l’inquietudine, la violenza, quell’oscuro senso del beffardo, tutti elementi latenti e ciclici nelle storie. L’intento programmatico è soffermarsi su alcune parole e tralasciarne altre, ribaltare i punti di vista e distorcere gli apologhi stereotipati, giocando sul confine tra positivo e negativo, molto netto nella morale fiabesca. Il racconto subisce un continuo processo di decostruzione, per minare le fondamenta del genere. Così, al testo, scomposto in questo minuzioso decollage, si affianca un bizzarro e meraviglioso universo di immagini, tra spaccati anatomici e serrature arrugginite, animali vendicativi e trofei onniscienti. 
Le figure sono enigmatiche, stimolano il gusto per l’inganno ottico e per il doppio senso percettivo. Nell’area della rappresentazione, si intersecano elementi tratti da enciclopedie, simboli entrati nelle abitudini sensoriali, richiami espliciti alla società contemporanea, illustrazioni di testi scientifici, come brani visivi che si ibridano perfettamente con i personaggi e i contesti delle fiabe. 
All’ombra di questa sperimentazione, si inserisce la Street Art, momento determinante nel percorso artistico di LAST22. Le opere, infatti, ricercano il contatto diretto con il fruitore e sono diffuse negli spazi urbani, sotto le (non)mentite spoglie di Poster Art. Per favorire lo scambio con il pubblico, ogni immagine è firmata da un codice QR, collegato alla pagina virtuale della fiaba, come un sottotesto tecnologico che svela l’enigma visivo. Questo salto strumentale attraverso il virtuale, sancisce l’armonia tra linguaggio e immagini, le due facce di uno specchio. Un atto dovuto alla ricerca del senso, che non si crea né si distrugge ma, ininterrottamente, si trasforma. 

Mario Francesco Simeone